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Creative COW Newsletter

Old Film Look with Final Cut Studio 2

Cinematic compositing takes more than software. It takes careful planning, understanding the drama in every shot, and a sense of magic. It doesn't take a big budget.

In this Creative COW Magazine extra, we begin with our conversation with director Mark Allen, discussing his short film, "Least Likely." This 60-second science fiction epic was shot start to finish in 8 hours, including greenscreen shooting of a major fight sequence, on a budget that covered little more than food.

We've got Mark's film here at CreativeCOW.net, along with some HD images from it. Prepare to be amazed.

Building Cinematic Composites

The article "Building Cinematic Composites" originally appeared in Creative COW Magazine's "Film Values" issue (September/October 2007). Other articles included conversations with filmmakers contributing to films and TV shows including Stranger Than Fiction, Friday Night Lights, Pulp Fiction, and Rain Man among many others. Be sure to get your complimentary subscription to the Cow Magazine in both print and PDF editions.

Read more...



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Money Making Graphics & Effects for Final Cut Studio 2

No matter what kind of work you do in Final Cut Studio, you need titles. If you want better titles and graphics, Money Making Graphics and Effects for Final Cut Studio 2 goes beyond just training with...

  • Over 3 hours of packed professional grade tutorials
  • Project files that can be used for your own clientele
  • A dozen design elements that can easily be adapted to other projects
Award-winning editor Stephen Smith takes you through 13 chapters of client pleasing graphics, while showing you how to use Final Cut Studio to its fullest. Each chapter is presented in a unique and dynamic way, with engaging graphics and illustrations that wont put you to sleep. The real world techniques in this DVD will have you smiling all the way to the bank.

DVD Box Final Cut Studio 2 Training Money Making Graphics & Effects for Final Cut Studio 2 is coming soon, for the introductory price of $39.95, 20% off the regular price of $49.95.

Click here to be notified when it's ready to ship!

Read on to learn more!



Tech Smith CAMTASIA



Recent Articles
Apple Final Cut Pro
You know you want to install OS X Leopard as soon as you can. For your production machine, though, you probably also know that you should wait. You also know that you're probably going to do it anyway. Whether you do it at the right or wrong time, there's a right way to do it. Creative COW Leader Shane Ross tells you how.
Shane Ross
Adobe After Effects
Building cinematic composites takes more than software. It takes careful planning, understanding the drama in every shot, and a sense of magic. In this Creative COW Magazine extra, we share our conversation with director Mark Allen, discussing his short film, Least Likely, a 60-second science fiction epic. We've got the film here, along with some HD images from it. Prepare to be amazed.
Tim Wilson
Apple Final Cut Pro
The Creative Cow Master Series of DVD training presents a closer look at the finer points of graphics and animation inside Final Cut. Hosted by Creative COW.net Contributing Editor Stephen Smith, this disk contains over 3 hours of energentic, informative lessons.
Stephen Smith
Apple Final Cut Pro
There's nothing like glass panes moving randomly on a screen. Learn to create the stunning bars like the ones in the show open to CSI: Miami. Follow along with Stephen Smith, the Final Cut sleuth, to learn how easy this effect really is.
Stephen Smith
Adobe After Effects
In this video tutorial, Creative Cow leader Aharon Rabinowitz shows you how to use Photoshop CS3's Vanishing Point tool to convert a flat 2D image into a 3D object in After Effects CS3.
Aharon Rabinowitz
Adobe After Effects
In this video tutorial, Creative Cow leader Aharon Rabinowitz introduces you to Photoshop Layer Styles in After Effects, a new feature in After Effects CS3.
Aharon Rabinowitz
Windows Hardware & Software
This bruiser app is so powerful it should be a requirement for any power user (and every digital content creation user). It offers outstanding tools and an enhanced workflow at a great price. Its features are so deep I felt a written review wasn't strong enough to illustrate why Directory Opus 9 should be standard on every windows computer.
John David Hutton
Art of the Edit
Jeremy Garchow's business is growing. So was his storage, and the potential for disaster. SATA array are less expensive, but were they safe, even with redundancy? With the Sonnet D800 he's got a terabyte of uncompressed HD, with full protection, for a great price. Read on to see the details of his set-up, and see if SATA and the Sonnet D800 will work as well for you as it has for Jeremy.
Jeremy Garchow

View these and more articles at the Creative COW Library



Tapeonline



Industry News
New Generation of XRackPro2 Server Racks Introduced

Dulce Systems Duo-FireWire and Duo-eSATA has gone PRO

DX Studio Version 2.2 Now Available

Next Generation Introduces the X-Gene 2.4GHz Wireless Keyboard with Optical Trackball

Digital Juice Releases 3 New Volumes of StackTraxx™ Layered Production Music

ATTO Intros ExpressSAS Host Adapters with Intel IOC340 Processor



Panasonic


NewTek TriCaster PRO Delivers Excitement of Worldwide Stunt to Kick-Off ‘Day 7’ of FOX TV’s Popular ‘24’ Program

Canon U.S.A. Celebrates 10th Anniversary Of XL Series Camcorders

National TeleConsultants Raises Awareness of New Media Architectures and File-Based Workflow Benefits

Eastwest To Distribute Three New Best Service Titles

Virtual Reality Reaches 100-Million Pixels with NVIDIA Quadro Technology

Stylize Your Video With Blending Modes - DJTV's Cutting Class Shows How

Highpoint Rocketraid 3000 Series Controllers Receives Microsoft WHQL Certification

CoolIT Systems Extends Award-Winning Liquid Cooling Technology to the Workstation/Server Market

Harris Corporation to Receive Technical Emmy® Award for ATSC Broadcast Transmission System RF Filters

More Art You Take Apart

lynda.com Announces New Acclaimed Author Team, Chris and Trish Meyer

New Bullying PSA Sways Audiences To Seek More Information

EditShare Goes to Broadcast India

Iconix HD-RH1 Camera System Used on ESPN's 'E:60'

Superfad Enters New Territory With TBWA/Chiat Day & Pioneer Kuro

16x9 Inc. Introduces new LUX-LED Camera Lights

AJA KONA 3 Boosts Edit Pipeline for Australian Broadcasting Corp.

CloseVU Live at D-SPORTS Conference in NYC

New York's Final Frame Expands Finishing Services


For more industry news, visit the COW News & Press Releases forum



Imagineer



Hot Threads
Sony Vegas Forum
Inform the Idiot about 5.1 Surround Audio
The playback device will downmix your 5.1 to stereo mix. As long as you do a decent 5.1 mix it should downmix well. Vegas has a downmix button that allows you to listen to your 5.1 mix downmixed to your stero speakers. Work much the same as a stereo to mono switch.

Cinematography Forum
shooting cells phone screens
I shoot a LOT of cell phone screens. I agree that post is the best, however, the way I shot the screens in camera is with a Varicam or HVX 200 at 60fps (our phones are always rotating and we like the extra frames in post). Progressive is the way to go, you can not get a clean image with an interlaced camera. I use a small lighting tent, dial the screen's backlight as high as it will go and light the tent to taste.

Apple Motion Forum
how to import vector file to a Motion shape object?
Make sure the text in your illustrator file is converted to outlines. When you save it as an .ai file make sure "Create PDF Compatible File" is checked, this will allow motion to open it.
Once you have your .ai file in Motion and you've set up your emitter you need to set Shape to Image (not geometry), then set Arrangement to Random Fill and drag your .ai file in to the Image Source well.



Sony Creative



Upcoming Events
Oct 19, '07 -
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lafcpug meeting Hollywood
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Connected Opportunities:Making a difference with Womens ICT Enterprise New Delhi
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HD FUNdamentals, Burbank Burbank
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View more events at events.creativecow.net



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Featured Leader
Creative Cow forum host: Floh Peters
Floh Peters

"Floh Peters has been with Media 100 844/X since the very beginning, having worked with the system while it was still in Beta," says Creative Cow director, Kathlyn Lindeboom, "therefore, when Media 100's European office recommended him as a leader for the new 844/X community, we were more...
Featured Tutorial
Cell Pattern And Favorites

Cell Pattern is a filter that can be used to create all sorts of background animations, displacement maps, track mattes, and many other things. It uses algorithms to generate the shapes and shading yo more...

Get help with, or discuss this tutorial in the COW's Adobe After Effects Forum.



ProMax



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