
The creative minds behind the web's existential comedy series "Coma, Period." talk about their craft and the challenges of designing the sounds that represent those heard inside a character's subconscious mind.
Rick Castaneda (Writer/Director) says of the project: When I first came up with the idea to create a web series that took place entirely inside someone's head, the value was immediate -- I could do anything I wanted. Here was my main character, Dan Humford, who had a car crash and ended up in a coma. We've given him the white space of his subconscious, and are letting him interact with all of his deepest desires, the nightmares, and random thoughts that he's had. If we wanted to, we could bring in a T-Rex, and have them talk about their feelings. That's how wide open the show is.
I brought in Lawrence to sound design really early -- actually at the script level -- because I knew that with such a blank white space, with nothing to look at, sound would be more important than ever. Infinite possibility was the first problem we had in sound designing the series -- we could really make the inside of Dan's head sound like anything we wanted to. This wasn't a park -- which you've been to, and you know how it sounds. This is the inside of a person's head. What does that sound like? A desert? A conch shell?
How did they create all of these endless possibilities for the audience?
Read the complete article online at http://magazine.creativecow.net/article/sound-design-for-the-web
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 short film "Cat's love" by Forsight Studio. "Household appliances" by Yury Nemerov Household appliances - the best gift for girlfriend :)...
 demo reel Chris Joecken's 2011 Reel by Chris Joecken My general reel that include credits for direction of photography, motion graphics/animation, editing, and colorization....
 demo reel Editor Demo, Cory Fisher, Indianapolis by Cory Fisher Highlights of some of my best work over the last 6 or 7 years. I've been editing since 1999 for a range of clients in Indianapolis, IN. Th...
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3DTree is a 3D Animation and Visua...
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 demo reel Showreel Autumn 2010 by Pontus Danielsson Some of the work I've been doing the last years....
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Jerry Hofmann's Final Cut System Set-Up
$49.95
This is not one of those beginner's guide titles, this goes FAR beyond the simple basic set-up guides that you find and this DVD is filled with the distilled knowledge of a man who can answer just about any question asked on our FCP forum. Learn what's on this DVD and you are well on your way to being that kind of expert, too!
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View all COW Training DVD's at CreativeCOWTraining.Com |
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Adobe After Effects Forum
Serious AE problems!
Hi, I am working on a MAC PRO DESKTOP 2.8 GHz Quad core, 28 GB RAM, NVIDIA GeForce 8800 GT (GFX Card...
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Sony Vegas a total waste of time
This has got to be the most confusing software program ever developed. Have spent over 24 hours of t...
Way OT - Laptop or iPad?
Mostly off-topic, but I respect the brain pool here.... My wife's laptop is getting old and some of...
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Thank you Andy... You mean, I can't do this? http://newsvideo.com/arrow2.mp4 Don Smith NewsVideo.com...
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you dont need no sluggish video output to see accurate colors
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DaVinci Forum
Resolve on Mac & Linux 7.0.3 update
Hi guys, i'm pleased to report that DaVinci Resolve users can now download the 7.0.3 update at http:...
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Adobe Premiere Pro Tutorials Podcast Archiving Your Projects: The Project Manager by Andrew Devis (10:55) -- 11/23/2010
In this Premiere Pro video tutorial Andrew Devis outlines how to use the Project Manager to create both trimmed and full archived projects ready with all your footage to put on an external hard drive and save... - Archiving is really important as you can be sure that at some point either a customer will come back and ask for some footage from an old project or you will find you need to get a hold of some footage and you don't know where it is! However, good archiving of old material will help make this a far less painful experience. In this Premiere Pro video tutorial Andrew Devis outlines how to use the Project Manager to create both trimmed and full archived projects ready with all your footage to put on an external hard drive and save for when that day comes.
Adobe After Effects Tutorials Podcast Creating a Snow Globe in After Effects by Rob Mize (23:09) -- 11/23/2010
Rob Mize shows you how to use shapes and solids in After Effects to create your own custom snow globe that you customize with your own media. Use particles and fonts to create organic or ornamental snowflakes, all without the use of 3rd party plug-ins. -
Adobe After Effects Tutorials Podcast Custom Shatter Maps by Jesse Toula (14:08) -- 11/23/2010
Custom shatter maps are not talked about very often, but they can be very useful in creating some unique effects. In this video tutorial, I will take you through what a shatter map should look like, and how to use it to control your shatter. -
Adobe After Effects Tutorials Podcast Trapcode Particular: Fall Transition Effect by Michael Park (17:04) -- 11/23/2010
In this tutorial, Michael Park will demonstrate how to create a festive fall transition using some leaf textures along with Trapcode Particular. - He will show how the new capabilities of Particular 2.0, including true 3d rotation and dynamic interaction with lights, can make a simple linear wipe interesting and unique.
Adobe Premiere Pro Tutorials Podcast Dynamic Link for the Premiere Pro Workflow by Andrew Devis (17:01) -- 11/23/2010
In this tutorial Andrew Devis will explain the basics of dynamic link and then show you how to start a new AE composition in PP and use powerful motion graphic templates to animate your text. - Dynamic link allows you to use the power of After Effects in Premiere Pro, but it is something that many people do not understand and so it is under-used. However, with dynamic link you can bring the power of motion graphics to your titles in PP with hardly any effort at all. In this tutorial Andrew Devis will explain the basics of dynamic link and then show you how to start a new AE composition in PP and use powerful motion graphic templates to animate your text. He then covers how to replace an item in your sequence with a new AE composition (i.e. a title) and lastly, how to use dynamic link to take the whole thing into Encore ready to make your DVD - all without rendering. However, please note the following: Dynamic Link only works with the Production Premium and the Master Suites. IT DOES NOT WORK ON STAND-ALONE PRODUCTS!
Boris FX Tutorials Podcast Boris AAF Transfer: Relink FCP and Avid by Paul Ezzy (05:25) -- 11/19/2010
This Boris FX video tutorial shows you how to relink your media between Apple Final Cut Pro and Avid Media Composer using AMA (Avid Media Access) relinking - with the help of Boris AAF Transfer, a custom Final Cut Pro plug-in that lets you export AAF... -
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 Pete O'Connell
Pete O'Connell is a feature film compositor at Barxseven Visual Effects in Montreal. His list of credits includes: Stranger Than Fiction, Just like heaven, Across the Universe, The Fountain, Mr. Magorium's Wonder Emporium, and the highly acclaimed Transporter 2. more... |
 Need high quality encoding with a more than reasonable way to serve the videos you need to put online? One of CreativeCOW's leaders, Jerry Hofmann takes a look at Sorenson Media’s new Video Delivery more...Get help with, or discuss this tutorial in the COW's Web Streaming - Audio|Video Forum. |
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