As part of Creative COW's ongoing look at high frame rate (HFR) cinema production and exhibition, we spoke with Michael Karagosian, co-chair of SMPTE's HFR Study Group, about his thoughts on the ways that higher frame rates factor into digital cinema, in both 2D and 3D, from camera capture to the silver screen.
Michael has had a front row seat for the unfolding of a wide range of cinema and digital cinema technologies for the past 30 years. He developed 70mm split surround for the release of Apocalypse Now, the pre-cursor to 5.1 sound, and one of the companies he founded was the first to produce a full line of THX approved cinema sound products, utilizing Michael's CinemaMatrix™ digital surround decoder, also used by Skywalker Sound and Pixar.
At SMPTE, Michael initiated and chaired the development of digital cinema packaging (DCP), following his work on behalf of longtime clients, the National Association of Theater Owners, as part of the Digital Cinema Initiative (DCI). He was awarded the ShoWest Award of Appreciation for Contribution to the Advancement of Digital Cinema in 2006.
Looking for real-world insights into the state of current and future HFR cinema, in both 2D and 3D? Don't miss Michael's provocative conversation with Creative COW.
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demo reel
Inder Nirwan's Demo Reel by Inder Nirwan
This demo reel is a brief compilation of my latest work. ... |
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demo reel
Steve Munro Demo Reel by Steve Munro
Steve Munro is an experienced Cinematographer, Camera Operator and internationally accredited Underwater & Marine Camera Operator. He has an... |
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demo reel
Mohamed Selim - Compositing Showreel by Mohamed Selim
This is my latest compositing showreel, a breakdown can be found on my site www.mselim.com
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short film
San Diego Academy of Ballet Backstage Nutcracker 2009 December by brock Fisher
Behind the scenes at San Diego Academy of Ballet's production of The Nutcracker in December, 2009.... |
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trailer
PORTRAIT OF A ZOMBIE - teaser trailer by Bing Bailey
Summary:
A working class Irish family is caught up in a zombie invasion of Dublin, Ireland. When their son, Billy, becomes a zombie the ... |
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demo reel
Reel2008 by Dan Lind by Dan Lind
My 2008 demoreel, most of it done during my employment with Dockhouse Film & TV. I'm currently freelancing as a 3d artist.... |
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CREATIVE COW TRAINING TOOLS |
 Automating Photoshop: Photoshop for Video
Make Photoshop Come to Life in Your Video Production
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Get the most out of Photoshop in your video productions, learning Photoshop from COW Leader Richard Harrington. In this DVD, Richard, author of one of the top ranked Photoshop books, focuses on automating Photoshop and other power user techniques for video artists.
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AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 55: In this first tutorial looking at getting your production out of After Effects, Andrew Devis shows how to use Dynamic Link to get your After Effects composition into Premiere Pro. Andrew shows the various methods to dynamically link a composition as well as going through some of the potential problems you may encounter.... more |
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Balancing parenthood and post-production is a challenge for anyone. As it turns out, it's not only possible to balance being a good mother with being a good editor, but it happens a LOT. Women in every kind of video production market from LA to the Heartland to the deep South are providing for their families, making sacrifices, and pursuing their life's passion...and one of them is Monica Daniel.... more |
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AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 55: In this first tutorial looking at getting your production out of After Effects, Andrew Devis shows how to use Dynamic Link to get your AE composition into Premiere Pro. - Andrew shows the various methods to dynamically link a composition as well as going through some of the potential problems you may encounter.
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In this lesson, Kevin P McAuliffe talks about a tool you'll want to have open at all times when working with audio, and that's the Audio Tool. - Not only does it give you a close up look at your VU meters, but it also contains some commands you'll want to have at your finger tips when cutting with a client.
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In this tutorial, Kevin P McAuliffe walks you through importing your audio two different ways, and explains the differences so you can pick the right technique for the right job. - He also shows you how to set up your timeline views, and why setting them up a certain way will really save you time when a client is sitting next to you in the suite.
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