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Adobe Stock Contributor Portal: Sell Your Stock Media Directly Inside Creative Cloud Applications

If you're reading this, it’s all but certain that you’ve at some point in your career made money using an Adobe product: Photoshop, After Effects, Premiere Pro, Dreamweaver, maybe even the “F” word (Flash). The odds are better than even that one or more Adobe products are at the core of your work. With the Adobe Stock Contributor Portal comes a twist: Adobe now provides a platform for you to upload your footage, photos, and vector illustrations for sale into the libraries available to every Creative Cloud subscriber around the world, inside the Creative Cloud applications they’re using every day.

Adobe Creative Cloud is no longer just a place to make stuff, or a place to buy stuff from the existing content already available there. Even though the Adobe Stock Contributor Portal is only in beta for now, Creative Cloud is already well-positioned to become the premiere place to sell stuff too.
And no, you don’t need to be a Creative Cloud subscriber. You just need to have the Adobe ID in hand that you’ve likely had for years. Otherwise, it’s a couple of quick clicks to create one, no subscription required. This is an amazing story, a potential -- dare we say it? -- game changer for photographers, videographers, and graphic artists who sell their work. There! We said it! Read on....

“Before I forget: don’t wear any underwear.” * Field Production * Tim Wilson

“Before I forget: don’t wear any underwear.”

Before coming to Creative COW, before his lives in product marketing and product management at Avid and Boris FX, Creative COW Editor-in-Chief Tim Wilson ran a video production company. As we also observe the 100th Anniversary of the founding of the US Parks Service, Tim recalls one one especially memorable adventure to Everglades National Park, wherein he found himself quite literally up to his armpits in alligators. He had no idea that this was going to happen when the day began. At the time, he was focused on a brand new fear: getting sliced in half by burning underwear.
The Science of Editing * Art of the Edit * Sven Pape

The Science of Editing

Sven Pape, aka @ThisGuyEdits, joins Dr. Karen Pearlman -- former President of the Australian Screen Editors Guild and a three-time nominee for Best Editing at the Australian Screen Editors Guild Annual Awards -- for a provocative look at "Editor's Thinking", a cognitive skill set that you can use to improve your screenplay before you start principal photography of your film.

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Imagineer mocha Pro 5 Plug-In for Adobe: An In Depth Review

Imagineer mocha Pro 5 Plug-in for Adobe brings all the amazing features of the professional version of the mocha Planar Tracker directly into After Effects and Premiere Pro in the form of a plugin. In this in-depth review, After Effects tutorial guru Tobias Gleissenberger of Surfaced Studio will show you what you can do with this new plug-in, and discuss what he likes and doesn't like about the new update.

Why Representation Matters: Thoughts on the Creative Arts Emmys

A big part of overcoming cynicism and becoming your own catalyst for change starts with seeing a future that's actually possible. This can be a challenge for women in the field of post production, working toward equality where they are only 19% of the workforce. Creative COW Contributing Editor Kylee Peña shares the insight she's gained from spending time with an inspiring woman editor, Emmy Award-nominated for her work on "Conan in Korea", and illustrates why the visible presence of women artists in the post-production world matters. Tea figures prominently in the telling.

Hawaiki Keyer 3.0 Upgrader Tutorial

After 25 years as an editor, compositor, and VFX artist, frequent Creative COW poster and tutorial author Simon Ubsdell knows what he needs from a keyer -- and knew he wasn't getting good enough results from FCPX or Motion. Discussions in COW forums led him to create the highly regarded Hawaiki Keyer for Mac users using Apple Final Cut Pro X, Apple Motion, and Adobe After Effects and Premiere Pro on Mac as well. Enthusiasm expressed by COW members for its latest release led us to ask Simon for a tour of the even more advanced Hawaiki Keyer 3.0.

Hey! And what about IBC?

As a matter of fact, we have a TON of IBC coverage, and will be putting it all together for you next week. In the meantime, check out our overview of all the camera and lens news from IBC, "All Eyes on IBC", and a couple of the show's biggest business stories: Blackmagic Design acquiring Ultimatte and Fairlight and the merger of Boris FX and GenArts, makers of Sapphire. You'll of course find much more below, and at Creative COW News.

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All Eyes on IBC 2016 for Cameras & Lenses Galore

What’s that you say? An IBC that’s not only relevant, but downright exhilarating?

This used to not be news, of course. However, in recent years, as NAB has aggressively positioned itself as “the” international show, IBC has too often become simply an opportunity for European audiences to see products already announced at NAB.

In 2016, however, the focus swings sharply to Amsterdam, especially when it comes to cameras and lenses. IBC 2016 is shaping up to be one of the most dramatic trade shows for cinematographers, broadcasters, and videographers in years.

What follows is just a pre-show introduction, brought to you by your Cruise Director and Creative COW Editor-in-Chief Tim Wilson. Check back as this story is updated as the show unfolds in the coming days. Once the show is completed, we’ll also be circling back around to put the whole thing in context with releases for other parts of your workflow, but for now, here’s a look at cameras and lenses from Angénieux and ARRI to Zeiss (and Canon and Panasonic and RED and and and….). Read on!

Adobe Unveils Sweeping Feature and Performance Updates to Adobe Creative Cloud Applications at IBC 2016

Keeping pace with high velocity content demands across both new and traditional platforms, Adobe will showcase advancements in VR, 3D, motion graphics and character animation supported by tools to deliver, measure and monetize TV and film content across multiple screens. More than that, you're going to see news of major upgrades to Adobe After Effects, Adobe Premiere Pro, collaborative workflows (seriously, check out Team Projects), and some of the coolest new options for 3D motion graphics that you've ever seen. Definitely way beyond the usual run of the mill trade show demo song and dance. Read on!

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Meet Laika Studios

Kubo and the Two Strings, ParaNorman, Box Trolls, Coraline -- the most incredible stop-motion of the last decade, and all four are from a single studio, Laika Studios in Portland, Oregon. Building on a team of artists that has been together for years honing their remarkable skills and talent, Laika has become the preeminent stop-motion team in the world today. The following video takes you inside Laika's process, introduces you to some of their people, and shows the kind of remarkable artistry that results from their efforts. Click the image below to check it out!

Timelapsed Stop-motion!

For nearly 100 years, stop-motion animation has been an incredibly labor intensive art. Laika Studio's technique creates incredibly detailed and breathtaking imagery that go far beyond the stop-motion of the past. In the hands of Laika's stop-motion masters, stop-motion animation yields remarkable layered, incredibly detailed images that have pushed the craft to levels unseen before the advent of Laika Studios. In this video over at YouTube, Laika's process has been timelapsed into just a few seconds. Amazing stuff.

Somewhere, Ray Harryhausen is smiling -- oh, and giving it his standing ovation.

"On Animation" on Crafting the Epic World of Kubo

To learn more about Laika Studios and Kubo and the Two Strings, please visit the wonderful in-depth report done by the On Animation blog for one of the finest articles we've ever seen on the subject. The videos in the article are far more in-depth than the two intro videos we've featured in this newsletter. You do not want to miss this.

Film Editing Tutorial: How To Crush The First Notes * Art of the Edit * Sven Pape

Film Editing Tutorial: How To Crush The First Notes

It's happened to you. The first cut sounds noisy, has compression artifacts, actors aren't giving their best performances -- and the director has notes about all this and more. Follow along as Sven Pape from "This Guy Edits" works through some of these very issues on the film he's working on, with tips on how deliver exactly what YOUR director is looking for.

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Ben-Hur Opening Action Sequence
Not that Lawrence of Arabia and Ben-Hur have anything at all to do with each other. For one, their stories are set nearly 2000 years apart. Maybe it's just the sand and the heat causing delirium, but as we were putting this week's newsletter together, we couldn't help be reminded of the gorgeous results from the 3-year effort by Sony Pictures Entertainment to restore the 1962 masterpiece Lawrence of Arabia. We were pleased to present a unique look inside this process by Debra Kaufman examining the (then) cutting-edge technology and expertise required to make one of cinema's most enduring classics look more spectacular than ever.

After Effects 2015.3 - My Favorite Features

After Effects 2015.3 - My Favorite Features
Learn why you should upgrade to After Effects CC 2015.3 - 13.8.1 - a close and detailed look at the latest release of After Effects (August 2016). Roei Tzoref will be focusing on his favorite features that set this release apart from previous versions: Performance, Queue in AME, Lumetri Color new features, and more.

Peter O'Toole as Lawrence of Arabia

Lawrence of Arabia: Sony's Beautiful 4K Restoration
In 2012, Sony Pictures Entertainment finished a 3-year process culminating in a stunning 4K restoration of the 1962 masterpiece Lawrence of Arabia, completed just in time for the film's 50th anniversary. Guided by Sony Executive Vice President Grover Crisp, this massive project engaged cutting-edge technology and expertise from Sony Colorworks DI facility as well as Prasad Corporation and MTI Film, working together on a newly scanned negative. One of the most beautiful films of all time is now more gorgeous than ever.

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The Six Benefits of Microbudget Filmmaking

Microscopic budgets present limitations of course, but can also create opportunities. Gex Williams and Brian Crone produced Ctrl+Alt+Dance for $12,000, and it made $50,000 on its first night -- which included showings on every inhabited continent. The film now has followings in nearly every major city, and has been translated into 9 different languages by its fans. Want to know how to achieve that kind of global engagement? Look no further than The Six Benefits of Microbudget Filmmaking.

Advanced Masking in Adobe After Effects * Adobe After Effects * Tobias Gleissenberger

Advanced Masking in Adobe After Effects

Some of the coolest stuff you can do inside of Adobe After Effects is only possible once you unlock the power of masks. Join After Effects whiz Tobias Gleissenberger of Surfaced Studio to learn about mask animation and interpolation, using the variable width feathering tool, managing mask modes and ordering, and more.
The Secret World of Foley, One of Cinema's Most Magical Arts * Art of the Edit * Tim Wilson

The Secret World of Foley, One of Cinema's Most Magical Arts

The Secret World of Foley is an evocative, wordless insight into one of the cinema’s most magical arts: the creative addition of synchronized sound effects in post known as Foley. This short film is also one of the most beautiful things you've seen in a long time. We highly recommend it to any fans of movies, sound, and the inspiration of watching true artists at work.

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Addressing Professional Fears & Growing Up

Kylee Peña looks back now, from her perspective as workflow supervisor for some of TV's most popular and respected shows, at the fears that she had to face as her postproduction career began. It started when someone contacted her about a blog post she'd written years ago. "I was surprised at how quickly I could return in my head to this place years ago where I was feeling overwhelmed and ineffective, desiring direction and getting none," she writes. "I remembered it all immediately.

"But I was even more surprised that I have conquered every one of these things." Here’s a look at her biggest, scariest, most crippling fears as a young editor, and her thoughts about them now.

Ten Ways To Avoid Editor's Block

Just admit it. You're afraid of the empty timeline. Maybe you’re one of the lucky few who can dive right into cutting a new project. Then there are the other 99% of us for whom there’s nothing worse than that moment after you’re prepping, and you have to face it: time to start cutting something. As an editor for high-profile shows including Empire and Burn Notice, Zack Arnold has been there. Here Zack, shares 10 proven tips from his own experience for not just beating editor's block, but completely avoiding it.

The Adobe After Effects Puppet Tool

Become a puppet master by learning how to use the Puppet Tool in Adobe After Effects! This intermediate-level tutorial from After Effects guru Tobias Gleissenberger of Surfaced Studio will show you how the Puppet Tool allows you to add joints and animations to bring life to any static image!

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UAV Filter Frenzy!

Virtually every UAV/drone in the air uses the same image processing chip, and most have similar lenses. None of them are ideal, and they all operate at very high shutter speeds. None of them allow for shutter speed control either, and as a result, it's up to the user to slow the shutter speed. This can only be done through the use of filters, says longtime Creative COW leader and legend Douglas Spotted Eagle of Drones Plus. Join him for a closer look at how to achieve more beautiful imagery from above.

Fixing Common After Effects Problems and Mistakes * Adobe After Effects * Tobias Gleissenberger

Fixing Common After Effects Problems and Mistakes

Got problems using Adobe After Effects? Exported files too large, Expressions not working, mixing shapes and makes, modes/switches, selecting previews for layers vs. comps - Surfaced Studio's Tobias Gleissenberger shows you fast fixes for these and more!
Editing Movie Trailers with Patricio Hoter * Art of the Edit * Christian Jhonson

Editing Movie Trailers with Patricio Hoter

More and more, films that are currently in production are working alongside with their marketing teams to establish a strategy months in advance of its release. That means that there’s more time to explore several options when crafting a trailer, but the workload also becomes heavier, and the stakes become higher. Avid Media Composer editors Christian Jhonson and Patricio Hoter (The Jungle Book, The Last Witch Hunter, Green Room, Titanic 3D, and more) explore this evolving artform.

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Accomplished editors tend to point to instinct and experience when it comes to the exact edit point. Here are 5 tips from veteran editor Sven Pape of "This Guy Edits" that may help you get there. Some editors say that great editing is invisible. So is the right frame the one we don't notice?

mocha AE Planar Tracker for Absolute Beginners * Adobe After Effects * Tobias Gleissenberger

mocha AE Planar Tracker for Absolute Beginners

Want to learn how to create advanced visual effects? Learn how to use mocha AE to track your shot and add advanced visual effects to live action footage inside Adobe After Effects. mocha can help you track shots that would be hard to track using traditional 2D point or feature trackers because it is a PLANAR TRACKER. A planar tracker uses planes and textures to track as opposed to points or groups of pixels. This allows the tracker to stay on track even if your shot contains motion blur or a very shallow depth of field. mocha AE comes included with Adobe After Effects and is available since CS3 and there is no reason for you not to use this awesome tool to make it easier for you to track your shot, replace screens or rotoscope!

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Seven Ways to Make Your Own Luck in The Film Industry

HBO Director of Workflow, post-house founder, owner of the first two RED cameras, founder and developer of Endcrawl, technologist, futurist, educator, and more: John 'Pliny' Eremic, is regularly asked for career advice in the field of filmmaking. Step One, he says, is to consider a new career! There's much more of course, delivered with Pliny's peerless wit, directness, and insight. Whether you're just starting in the business, or looking to break through to the next level, you won't want to miss this guide to making your own luck.

The Surprising Upside Of Procrastination In Film Editing

The Surprising Upside Of Procrastination In Film Editing

What if you wouldn't have to stop procrastinating? Sven Pape of "This Guy Edits" demonstrates how to use procrastination to achieve some of your best film editing work. "Why do I procrastinate?" asks Sven. "I give you Aaron Sorkin who has one of the best procrastination quotes: 'You call it procrastination I call it thinking.'"

Working with Audio in Adobe Premiere Pro

Working with Audio in Adobe Premiere Pro

Want to learn how to add music and sound effects to your videos using Adobe Premiere Pro? Tobias Gleissenberger of Surfaced Studio will teach you all you need to know about adding music and sound effects to your projects, creating and using submixes, working with audio keyframes, and much more.

Join the Blue Collar Post Collective for the first in a series of free LIVE STREAMED summer talks on the human side of post production, starting with how we can work together to make the post production industry more inclusive. We’ll talk about our own experiences, and how we can apply those to build each other up and change what the face of an expert looks like in the machine room, DI theater, edit suite, or executive conference room.

  • Cate Haight, ACE, editor of shows like Transparent and Mozart in the Jungle.
  • Joe Delgado, lead assistant editor for Geiger Post, working on reality/docuseries and awards shows like the BET Awards and other quick turn live events.
  • Mark Hartzell, editor of shows like Agent Carter and True Blood.
  • Lauren Ellis, VFX Producer for The Molecule LA who works on shows like Master of None and House of Cards.

Moderated by Kylee Peña -- a workflow supervisor for Bling Digital where she works on the technical side of post production for TV shows like Scorpion and Jane the Virgin.

A live stream is being provided by our friends at The SIM Group and will be streamed through YouTube Live. A live chat will also be available so you can participate in the discussion and ask questions too. You'll also be able to watch it later if you miss out.

But why on earth would you want to miss out??? Tune in Saturday at 3:30PM Pacific for what is sure to be a provocative, inspiring conversation with some of the industry's leading creative professionals. Click here for more information!

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