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Mr./Ms. Editor, meet Mr. Pressure! Multicam guru Mitch Jacobson shows how the technical and creative skills that you've developed in the edit suite translate to live production even better than you think -- if your heart can handle the strain.

Sure, we all feel pressure as editors, but it is nothing like the racing towards a live event! With the live shows, you don't have a second chance. It is live, and you must make every decision in a split second -- and it has to be perfect. You must juggle everything all at once and execute with style, precision, flair and confidence. Mitch has learned the hard way, by live-producing multicamera shoots for clients as diverse as U2, Paul McCartney, the NFL and America's Got Talent, that sometimes the biggest problems can be solved with the smallest tricks.

This is just the first part of Mitch's deep dive into the intricacies of getting live multicam production right, every single time -- part of his quest to rid the world of bad multicam forever.

Read "Live on the Net Without a Net: Cutting Live".

Xytech Automates the Digital Supply Chain with MediaPulse

One Free Gemini 4:4:4 to be Given Away at IBC

Xilinx All Programmability Enables Broadcast Innovation and Differentiation at IBC 2012

Bridge Technologies’ VB330 Core Network Probe Adds Bulk OTT Engine

IBC 2012: SterGen to Highlight Footbal, Tennis, Baseball 2D to 3D Conversion

GLOOKAST Awarded at Broadcast & Cable 2012

Vidispine and Cantemo to provide first DAM on MatrixStore Quattro

Bridge Technologies OTT Engine Now Shipping

Vizrt and never.no Bring Social Media Tools to Broadcasters

IDS Content Manager For Display Systems Makes Its Debut At IBC 2012

Cache-A boosts Archiving performance with new upgrade at IBC 2012

Iron Claw Creates Dramatic Opening Sequence For "Madden NFL 13" Featuring Baltimore Ravens' Ray Lewis

Image Matters Powers High Frame Rate Digital Cinema Quality

Final Film in Peter Jackson’s “The Hobbit” Trilogy Slated for Worldwide Release on July 18, 2014

Marquise Technologies at IBC 2012 : end-to-end ACES workflow and much more

Pula Film Festival Sets Outdoor Cinema Record With Harkness Stagelite Stereo 3d Screen

Luxology Ships NPR Kit for modo

Bluefish444 Announces 4K HD SDI Preview & 12 Bit HD SDI Preview for Assimilate SCRATCH & SCRATCH LAB

Olfert Kempff Joins Advanced Systems Group

Grass Valley Unveils Next-Generation Multiviewer Capabilities for Trinix NXT Routing Switcher

Rich Chooses FloatCam DC-Slider System for NightFall Time-Lapse Shoot

The Hit House Relocates and Signs Composer Danail Getz

Hollywood Chamber of Commerce Partners with MediaMine to Develop Walk of Fame App

Hackenbacker Gets Intimate with Suspicion and Death in ITV’s New Thriller A Mother’s Son

Softel New Guide Explains How to Address the Top 10 Subtitling Challenges Facing Modern Broadcasting

Remembering SBE Founder John Battison

KMP Adds Respected Colorist Ted Brady

Ventuz taps into Chyron BlueNet™

MTI Film Launches Film Restoration Facility in China

Gradient Interactive Tapped for Hollywood Post Alliance 2012 Creativity & Innovation Award

Codex Announces Onboard S Support For Canon Cinema RAW

SSL C100 HDS Provides the Audio Power For SNY Sports Programming

Hawken to Launch with Oculus Virtual Reality Support in December

OASYS Shows Versatility of Automated Playout at IBC 2012

Nep Visions’ 3G OB Fleet Standardizes Audio Confidence Monitoring With TSL Professional Products’ PAM2 Units

Australia's Showtime Adopts AmberFin iCR for Video File Quality Control

ABS Broadcast Modernizes Playout with Grass Valley K2 Edge

Arqiva chooses T-VIPS’ TNS547 DTT Monitor for the UK DVB-T2 Freeview HD network

Emmy-Nominated BAKED FX & Award-Winning MindSmack Enter Innovative, Creative Partnership

Persistence Of Vision, Hollywood’s Preeminent Pre-Vis Company, Launches New “Multi-Media Content” Unit: First Projects From New Unit Include Trailer For Microsoft’s “Halo 4: Forward Until Dawn,” Tv Spot For “Age Of Wushu” Film

The Movie Parody Network by Steve McGregor
Somewhere in a dystopian future, a small independent TV studio struggles to stay afloat.The studio chiefs at Burrheado Brothers Television B...
United States
demo reel
Motion Graphics in Yellow, Several 3D techniques by Rian Helmhout
The fun part is most likely that it could be made it in blue, however the glow on the objects are more beautiful in yellowish orange, so the...
Netherlands, The
demo reel
Matte Painting Reel - Szabolcs Menyhei by Szabolcs Menyhei
Matte Painting Reel...
demo reel
Axel Råberg's Comp / 3D / Motion REEL by Axel Råberg
Online Portfolio: http://www.zuprextra.com I am a freelance VFX Artist based in Oslo. Work on Fusion, Nuke, AE, PS, AI, Syntheyes, Maya, ...
demo reel
Stop-Motion Reel by Rod Borghese
Some experimental stop-motion animations. ...
music video
EN TILL HIMMEL - Monty by Mats Udd
Musicvideo for the swedish artist Monty, shoot on RED....
music video
ALL THE LOVE OF OUR WORLD - Lumen by Ivan Egorov
The everlasting fear of the nuclear war, meh...
demo reel
silo:6 Showreel by Wayne Reynolds
silo:6 use motion graphics, 3D / 2D animation and live action to make music videos, TV commercials and all sorts of other stuff. This is a s...

Lighting and Shooting Gorgeous InterviewsLighting and Shooting Gorgeous Interviews

On this DVD, Director of Photography Tom Miller, teaches you how to light an interview so that your subject looks natural, professional, and...GORGEOUS!

FilmLight at IBC 2012 * IBC Expo * Debra Kaufman For FilmLight, IBC is traditionally the show where they debut products shown as new technologies at NAB. FilmLight is living up to the tradition by coming to Amsterdam with a long list of new products: FLIP real-time image processor, Baselight TRANSFER real-time 4K dailies processing system; Baselight Editions; Baselight 4.3, the latest version with new features; BLG (Baselight Grade, an open EXR file format); and FLUX, an expandable 80TB streaming media server. The aim, says... more
Codex at IBC 2012 * ARRI * Debra Kaufman Codex is coming to IBC 2012 with new technology. Although its Onboard S will be shown for the first time at a European tradeshow, the big news is that the company is unveiling its capacity to support Canon Cinema RAW at up to 120 fps at 4K. At an incredibly lightweight and small size, the Onboard S is already being adopted by filmmakers who can benefit from its powerful features and form factor.... more

Adobe After Effects Forum
lens flare reflection parallel to flare
Here's what is probably a dumb question, but that's how I learn . . . I'm trying to have AE's lens f...

Displacement Maps Problem
Hi all, I'm using a photoshop drawn displacement map to move a close up picture of someones face, al...

Media 100 Forum
old Media 100 user considering new Media 100
Thank you, all, for sharing your thoughts with me. Gary, when you wrote, "You'll be able to use Bori...

Sony Vegas Forum
Stopwatch in Sony Vegas
Hello, The last few days I was searching for a solution for a problem I have with Vegas 11.0. In ear...

Question about quality
Guys we know that keep copying a cd/dvd won't reduce the level of quality cause it's digital but wha...

Sony XDCAM - EX & Related Forum
EX1R colors and white balance problem
ok i uploaded a picture from my footage. The walls in the background are overexposed even though the...

Apple FCPX or Not: The Debate Forum
BMCC alternate workflow
I've done some testing with the same 5 John Brawley camera raw clips from the Blackmagic Cinema Came...

Content questions for a new era?
[Chris Harlan] "but the guy jumps right over it." I must ressurrect this in all of its relevancy:...

Subscribe with iTunesApple Motion Podcast
Motion Quick Tip - Custom Titles for FCP X
by Andy Neil
(00:21:13) -- 8/30/2012

In this tutorial, Andy Neil shows how to create a custom designed lower third for Final Cut Pro X. -

Subscribe with iTunesAvid Media Composer Podcast
Learn Media Composer Lesson 12: Settings Wrap Up
by Kevin P McAuliffe
(00:13:46) -- 8/21/2012

In this lesson, Kevin P McAuliffe wraps up his look at the main settings you will need to get up and running in Media Composer by looking at the Marquee Title, Media Creation, Timeline and Workspace settings. -

Subscribe with iTunesAdobe Premiere Pro Podcast
Premiere Pro Hints 'n Tips: Multi-Track Clean Up
by Jon Barrie
(00:04:35) -- 8/14/2012

In this video tutorial Jon Barrie AKA "JB" showcases a way to clean up Multi-track cuts in Premiere Pro CS6. In this one take wonder, special guest Alexis "Lexi" Barrie (4yo) adds her own charm this video tutorial. - Note: This tip can be used along any of the Premiere Pro versions.

Subscribe with iTunesAvid Media Composer Podcast
Learn Media Composer Lesson 11: Importing & AMA Linking To
by Kevin P McAuliffe
(00:15:06) -- 8/9/2012

In this lesson, Kevin P McAuliffe shows you the last two "common" ways to bring footage into Media Composer, and that is importing and AMA linking to. - Kevin also discusses why it's important that FCP editors switching to Media Composer are going to want to pick the right one, so they are up and running as quickly as possible.

Sep 5, '12 - Boulder Colorado United States - Getting Started with Javascript - Works...
Sep 5, '12 - New York New York United States - Digital Technician: Exposing and Shootin...
Sep 4, '12 - Sep 6, '12 - New York New York United States - ICA 101: An Introduction to Colorist Str...
Sep 5, '12 - Sep 6, '12 - New York New York United States - Canon C300 Workshop...
Sep 6, '12 - Boulder Colorado United States - Digital Video Camera & Lighting Basics -...
Sep 7, '12 - Boulder Colorado United States - Adobe Illustrator Hands-On Intensive - C...
Sep 7, '12 - Sep 8, '12 - New York New York United States - ICA 201: Advanced Colorist Strategies wi...
Sep 8, '12 - Philadelphia Pennsylvania United States - Headshot Day with Renowned NYC Photograp...
Sep 8, '12 - Philadelphia Pennsylvania United States - Headshot Day with Jay Sullivan...
Sep 8, '12 - Sep 9, '12 - New York New York United States - Lighting Workshop: Sharpen Your Lighting...
Sep 9, '12 - New York New York United States - Warren's Looks with Resolve...
Sep 8, '12 - Sep 9, '12 - New York New York United States - Avid MC 101 (Two-Day Version)...
Sep 8, '12 - Sep 9, '12 - Boulder Colorado United States - Lighting On Location Photography Intensi...
Sep 8, '12 - Sep 9, '12 - New York New York United States - RAW Formats, Shooting, Workflow & Post w...
Sep 8, '12 - Sep 9, '12 - Washington DC United States - The Missing Editing Class...

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